Literature

Areas

Genre, form and language

The materials we work with include most classical and popular genres and media formats: Victorian novels, travelogues, medieval religious writings, historical and contemporary advice books, speculative fiction, gothic fiction, and crime fiction, disseminated in written form, film or television.

Historical and contemporary sources and several language areas mean possibilities to examine how texts move between different eras and cultures, for example via analyses of translation processes comprising not only the actual text, but also cultural structures. How different forms of texts generate new versions is also an area of interest, as is how both local and global themes and structures function, transform and evolve.

Several researchers are well-established within the field of crime-fiction, and then especially within the sub-category Nordic Noir. In particular, discussions pertain to questions of abuse and the link between the crime-genre and the dismantling of the Swedish welfare state.

The interest in what happens in the meeting between a narrative and its readers or viewers, and how this meeting can result in different types of participatory activities, is visible in several researchers' work within fan studies, with special attention paid to fan fiction. Fan fiction starts from, or enters into a dialogue with an already existing fictional universe. Fanfic authors fill in background, develop gaps in the narrative, or counter the original story all together. Fanfics are published online and readers are free to comment, which means an additional interpretative step. Our researchers contribute knowledge about this dynamic text form and the role it plays in the literary landscape of today.

Gender, sexualities and queer studies

A gender perspective is included in the majority of our projects and discussions often start from the view of gender as a social construct. Our researchers work with fiction from different eras, and examine how power relationships between characters is often linked to an implicit gender structure, despite that many such works on the surface appear to problematize traditional conceptual categories. Non-fiction is also used as empirical material in discussions about how gender norms are negotiated and altered.

Gender, feminist and masculinity studies are applied in analyses of what is represented as male, female and queer in literature, and several researchers have a specific focus on images of father- and motherhood, of family constellations, and of children, and highlight discourses that have determined and determine what is perceived as ideal or "natural" characteristics, as well as how these cultural constructions can be questioned. The gender coding of geographical places are also analyzed, often with a focus on forms of resistance against categorization.

Speculative fiction

The imagined future interests many of us and literature plays a key role not only as a test bed for innovations and new societies, but also as documentation of both past and present fears and hopes. Ethical questions connected to images of future societies, and how fiction can encourage critical reflection of contemporaneity, are questions that engage several researchers.

From different starting points, we examine how dystopias or apocalypses are represented in fiction. Analyses are often focused on how, real-world global developments have consequences for the environment, and how this is relayed in different text forms from popular culture horror to ecopoetry. Another line of enquiry focuses on the effect the apocalypse has on the construction of societies, communities and human relationships.

Place and environment

Both literal and figurative places are examined from a number of perspectives. There is a broad interest in travelogues from different time periods and cultures, and our researchers also analyze images of particular geographical areas. Place can also be perceived of as more abstract, for example as a trope in poetry, and this area also encompasses projects that in various ways deal with spatial and temporal movements.

Representations of the North and the Arctic in expedition narratives and fiction have been and continue to be prominent in the Department's research. Some of our researchers have examined the conceptualization of "north" and "northerness" from a historical perspective, a conceptualization which varies greatly depending on the location and cultural sensibility of who is writing.

But we also look at more delimited places such as the home in Victorian literature, and confined spaces and labyrinths in the Gothic. In these discussions, place acquires a special meaning as characters move through places or from one place to another, movements that have consequences for identity, belonging or alienation.

The body, affect and cognition

We analyze how fiction in different genres and media depict both human and other-than-human bodies, often with a strong connection to gender and sexualities.

Our studies are often interdisciplinary and literary approaches are enriched by results from, for example, history of medicine, religion, and neurobiology.

Among our research areas are mental and physical illness and the cultural meaning thereof in different time periods, how sensory and bodily effects and conditions affect not only characters but also readers, and how cognitive abilities are employed to navigate narratives and fill in the gaps all texts necessarily contain.